Saba Lace Ladies take island’s heritage to A’dam craft festival

The Executive Council of Public Entity Saba was in Amster­dam to support the Saba Lace Ladies, who carried one of the island’s oldest traditions to an internation­al audience at craft festival “Ambacht in Beeld” this past weekend.

The festival was held on Saturday, September 26, and Sunday, September 27, at the NDSM Loods in Amsterdam-Noord. For its twelfth edition, the festival again turned the hall into a large working craft space, with more than one hundred workshops, masterclasses and demonstrations.

This year’s festival had a special focus on the Caribbe­an. Organisers invited craft­speople from the Caribbean Netherlands islands Saba, St. Eustatius and Bonaire, from Aruba, Curacao and St. Maarten, and from Suriname to share their skills with the public. The organisers said that many of these crafts rely on local materials and knowl­edge handed down through generations, and that fea­turing them helps make this intangible heritage more vis­ible and better preserved.

Saba was represented by Saba Lace Ladies Alma Peggy Barnes, Miranda Sim­mons and Madelyn John­son. Barnes and Simmons demonstrated the craft and met visitors who wanted to learn about the tradition, while Johnson sold Saba Lace books and items at the stand and photographed the delegation’s activities. Festival-goers could also try the craft themselves. Barnes and Simmons led two-hour, beginner-friendly Saba Lace workshops on both days of the festival, in which they taught participants how to prepare the linen, make a traditional hemstitch border and create a classic web bor­der, and explained the his

tory and precision behind the craft. No previous sewing or embroidery experience was required. Participants were provided with linen, Saba Lace thread, a needle and a pattern guide, and each took home a small handmade Saba Lace sample along with the remaining materials.

Barnes has practised the craft since childhood, learn­ing from her mother and other master lace makers, and has spent decades cre­ating, demonstrating and teaching Saba Lace at work­shops, community events and cultural exhibitions. Sim­mons, known on the island as Teacher Miranda, is a life­long educator, culture teach­er at Sacred Heart School and museum curator, and has played an important role in sharing Saba’s traditions with younger generations.

“A real pleasure”

In a video released by Pub­lic Entity Saba, the three women spoke about what the experience meant to them.

“It has been a real pleasure to be here at the Ambacht in Beeld Festival and to rep­resent Saba and our Saba Lace-making tradition. See­ing people so curious about Saba Lace and willing to try it themselves has been very rewarding,” said Johnson. “Saba Lace is something that connects us to our his­tory and to the women who have carried this tradition forward. Being able to share that story here in Amster­dam is something I’m very proud of.”

Simmons described the trip as “a wonderful experience”, given the chance to share Saba Lace with people from many different backgrounds. “It’s special to see people taking an interest in the craft and wanting to learn more about where it comes from,” she said. “For me, sharing Saba Lace is about more than demonstrating a skill. It’s about sharing a part of Saba’s history, culture and identity, and helping to keep this beautiful tradition alive for generations to come.”

Barnes said being in Am­sterdam meant a lot to her personally. “This is a tradi­tion that has been passed down for many generations, and I’m happy to have the opportunity to show the people how special it is and where it comes from,” she said. “To see people inter­ested in learning about the craft and trying it themselves is wonderful. I hope that by sharing Saba Lace here, we can help keep this important part of Saba’s heritage alive for generations to come.”

“A proud moment”

Commissioner of Culture Eviton Heyliger visited the festival as part of a work­ing visit to the Netherlands, during which he has been at­tending meetings and official engagements on behalf of the island.

“It’s especially meaningful to see Saba and our cultural heritage being represented here, and to see Saba Lace being shared off-island,” Heyliger said. “Opportunities like this provide much-needed exposure for our culture and allow others to learn about our traditions, our skills and our stories ­all things that make Saba unique.”

The Commissioner praised the three lace makers for embracing the opportunity. “They are not only represent­ing themselves, but also car­rying a piece of Saba and its cultural heritage with them,” he said. “Seeing people from different backgrounds take an interest in Saba Lace, ask questions and try the craft for themselves has been truly special. Moments like these show the value of opening our traditions to others and creating new connections through our culture.”

Heyliger also thanked the Community Development and Culture Department, the Saba Tourist Bureau, the Sea & Learn Foundation and the Saba Heritage Center for their support in preserv­ing, promoting and sharing.

The trip began with an in­vitation. Earlier this year, Wendy van Wilgenburg of Stichting Ambacht in Beeld invited the Saba Heritage Center to send craftspeople from Saba to the festival. With backing from the Saba Tourist Bureau, the Depart­ment of Community Devel­opment and Culture, and the Sea & Learn Foundation, Saba was able to send three representatives instead of one.

“Seeing Saba represented here in Amsterdam is a proud moment,” Heyliger said. “Our island may be small, but the traditions and knowledge we carry have a place far beyond our shores.”

A craft with deep roots

Saba Lace, also known as drawn-thread work or “Span­ish Work”, has been part of island life for about 150 years. The craft came to Saba in the 1870s through Mary Gertrude Hassell Johnson, whose par­ents sent her to study at a con­vent in Caracas, Venezuela, where the nuns taught her the needlework. When she re­turned home, she passed her knowledge on to a few women, and a cottage industry was born. At first the women made the pieces and the men sold them on trips to nearby islands.

The work demands great patience. The lace maker starts with solid linen, cuts out a number of parallel threads and ties them off, then works thread back into the open space to form a range of patterns.

The turning point came in 1884, when regular mail ser­vice first linked Saba to the outside world. The wives and daughters of the island’s sea­faring men turned the craft into a mail-order business. They copied the addresses of American companies from packages arriving on the is­land, then wrote to those companies describing their needlework and offering it for sale.

The trade became a vital source of income for the is­land. In 1915, some 250 of Saba’s 2,500 residents earned a living from drawn-thread work. By 1928, the women were exporting about US $15,000 worth of lace a year. Lacework remained one of the main sources of revenue for the island’s economy un­til the 1950s. The craft has been the subject of two books and won the Prince Bernhard Caribbean Culture Prize.

Today the tradition is car­ried on by a dedicated group of women. The Saba Lace Ladies regularly meet at the Saba Lace Room at Lam-bee’s Place in Windwardside, where visitors can watch the pieces being made.

Public Entity Saba thanked Barnes, Simmons and John­son for carrying a piece of Saba with them and sharing the tradition with audiences in the Netherlands.

The Daily Herald.